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Once There Was Everything
Criterion Originals • 5m 3s
In this video essay, filmmaker :: kogonada examines the use of doors in the films of Robert Bresson.
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Introducing Pre-Code Horror
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VAMPYR: The Genre Film as Experimenta...
Observations on Film Art No. 34
Carl Theodor Dreyer’s haunting 1932 masterpiece VAMPYR has long occupied a singular place in film history, resting somewhere at the intersection of horror, avant-garde cinema, and waking nightmare. In this episode of Observations on Film Art, Professor David Bordw...