Directed by James Gist and Eloyce Gist • 1930 • United States
HELL-BOUND TRAIN is arguably the most significant rediscovery in Pioneers of African American Cinema. The film is the work of self-taught filmmakers James and Eloyce Gist, African American evangelists who employed cinema as a tool for their traveling ministry. Their surreal visual allegories were screened in churches and meeting halls, accompanied by a sermon and the passing of a collection plate. Rather than having a linear story, the film is instead a catalog of iniquity, a car-by-car dramatization of the sins of the Jazz Age (including gambling, dancing, alcohol, and the mistreatment of animals), presided over by a horned devil and culminating in a colossal derailment (a model train tossed into a bonfire). Admittedly, the production values are minimal—shot with handheld 16 mm equipment using natural light, sans audio—but the surreality of it all makes for a compelling viewing experience, and shows that renegade, visionary filmmakers can be found in the most unexpected places. HELL-BOUND TRAIN is presented here with a score by Dr. Samuel Waymon, best known to cineastes as having provided the moody soundtrack for Bill Gunn’s influential 1973 film GANJA AND HESS. It is believed that HELL-BOUND TRAIN was filmed prior to James’s marriage to Eloyce, so it is unclear how much involvement she had in the making of the film. But she may have had a hand in the editing and was certainly engaged in all aspects of their subsequent work.
Directed by Marie-Louise Iribe • 1931 • France
Starring Mary Costes, Joë Hamman, Otto Gebühr
This early sound drama was Iribe’s second directorial effort and uses cinematic techniques to visualize Goethe’s 1782 ballad “Erlkönig” and Schubert’s later musical adaptation. Produced by Iribe’s Les Ar...
Directed by Dorothy Davenport • 1934 • United States
Starring Claudia Dell, Lola Lane, Richard Hemingway
When a radio star (Lola Lane) is murdered, a mysterious young woman (Claudia Dell) is accused of the crime. Can a wisecracking reporter (Richard Hemingway), who finds himself captivated by th...
Directed by Alice Guy Blaché • 1902 • France
Typical of Gaumont’s output at the time and an example of cinema’s early presentational style, this humorous “demonstration” film showcases a vaudeville act featuring a Miss Dundee and her trained performing dogs.