Directed by Lynne Sachs and Anne Lesley Selcer • 2020 • United States
For GIRL IS PRESENCE, Lynne Sachs has made images as a form of reading and listening in response to disquieting words from Anne Lesley Selcer’s poem “Sun Cycle.” A girl arranges and rearranges objects, sensorily reflecting the tense and disharmonious list of words voiced by Selcer in the film. As the language builds in tension, the scene becomes occult, ritualistic, and alchemical. Against the uncertain and anxious pandemic atmosphere, performer Noa Street-Sachs, the filmmaker’s daughter, creates and unmakes systems with the collection of small, mysterious things. Selcer’s poem emerges from her book of the same name, which deals with image, gender, and power. This poem reworks a George Bataille essay to undo and recast its rhythms.
Directed by Lynne Sachs • 2021 • United States, Spain
In a cinema letter to French director Jean Vigo, filmmaker Lynne Sachs ponders the delicate resonances of his 1933 classic ZÉRO DE CONDUITE, in which a group of schoolboys wage an anarchist rebellion against their authoritarian teachers. Thin...
Directed by Lynne Sachs • 2021 • United States
Lynne Sachs films her daughter Maya Maya Street-Sachs at ages six, sixteen, and twenty-four. At each iteration, Maya runs around her mother, in a circle—clockwise—as if propelling herself in the same direction as time, forward. Conscious of the stra...
