Directed by Luis García Berlanga

In the wake of the Spanish Civil War, Luis García Berlanga revitalized his country’s film industry by puncturing the sanctimony of Franco-era culture. Though less well-known internationally than his iconoclastic compatriot Luis Buñuel or his filmmaking disciple Pedro Almodóvar, Berlanga—who would have turned one hundred this month—was renowned in his home country for his sardonic, censor-skirting attacks on political repression, economic neglect, and false piety, spiked with ebullient screwball rhythms that delighted mainstream audiences. Overflowing with vivid characters and brilliantly orchestrated moments of absurdist humor, these films and their daring provocations—including WELCOME MR. MARSHALL!’s sly antinationalist satire, PLÁCIDO’s masterful takedown of upper-class hypocrisy, and THE EXECUTIONER’s caustic attack on capital punishment—led Franco himself to declare, “Berlanga is not a Communist; he is worse than a Communist, he is a bad Spaniard.” A ringing endorsement if there ever was one!