Directed by Maurice Pialat

“What I mean by realism goes beyond reality,” declared French master Maurice Pialat, whose at once raw and rigorous films capture all the intensity, vivid humanity, brutality, and tenderness of life itself. Born one hundred years ago this August, Pialat was a contemporary of the nouvelle vague, but always stood apart from the movement, pursuing an uncompromising personal vision that had more in common with his artistic forebear Jean Renoir. In masterpieces like THE MOUTH AGAPE, À NOS AMOURS, and VAN GOGH, Pialat refined a hard-hitting, elliptical style in which searing emotional realism and cutting human truth are prized above all else. Though he may not be as well known internationally as many of his contemporaries, Pialat had an incalculable effect on a generation of post–New Wave directors like Catherine Breillat, Leos Carax, Philippe Garrel, and Arnaud Desplechin, who has said, “The filmmaker whose influence has been the strongest and most constant on the young French cinema isn’t Jean-Luc Godard but Maurice Pialat.”