FANNY AND ALEXANDER: Television Version
Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman intended FANNY AND ALEXANDER as his swan song, and it is the director’s warmest and most autobiographical film, an Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. Bergman described FANNY AND ALEXANDER, presented here in the five-hour television version, as “the sum total of my life as a filmmaker.” And in this, the full-length (312-minute) version of his triumphant valediction, his vision is expressed at its fullest.
Starring Börje Ahlstedt, Pernilla Allwin, Allan Edwall, Ewa Fröling, Bertil Guve, Jarl Kulle, Mona Malm, Christina Schollin, Pernilla Wallgren, Gun Wållgren, Marianne Aminoff, Harriet Andersson, Jan Malmsjö, Kerstin Tidelius, Gunnar Björnstrand, Per Mattson, Erland Josephson, Stina Ekblad, Mats Bergman
S1 E1 · Episode 1
Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman intended FANNY AND ALEXANDER as his swan song, and it is the director’s warmest and most autobiographical film, an Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. Bergman described FANNY AND ALEXANDER, presented here in the five-hour television version, as “the sum total of my life as a filmmaker.” And in this, the full-length (312-minute) version of his triumphant valediction, his vision is expressed at its fullest.
S1 E2 · Episode 2
Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman intended FANNY AND ALEXANDER as his swan song, and it is the director’s warmest and most autobiographical film, an Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. Bergman described FANNY AND ALEXANDER, presented here in the five-hour television version, as “the sum total of my life as a filmmaker.” And in this, the full-length (312-minute) version of his triumphant valediction, his vision is expressed at its fullest.
S1 E3 · Episode 3
Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman intended FANNY AND ALEXANDER as his swan song, and it is the director’s warmest and most autobiographical film, an Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. Bergman described FANNY AND ALEXANDER, presented here in the five-hour television version, as “the sum total of my life as a filmmaker.” And in this, the full-length (312-minute) version of his triumphant valediction, his vision is expressed at its fullest.
S1 E4 · Episode 4
Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman intended FANNY AND ALEXANDER as his swan song, and it is the director’s warmest and most autobiographical film, an Academy Award–winning triumph that combines his trademark melancholy and emotional intensity with immense joy and sensuality. Bergman described FANNY AND ALEXANDER, presented here in the five-hour television version, as “the sum total of my life as a filmmaker.” And in this, the full-length (312-minute) version of his triumphant valediction, his vision is expressed at its fullest.