In 2013, Argos Films, the Technicolor Foundation, the Groupama Gan Foundation, and the Cineteca di Bologna collaborated on a 4K digital restoration of HIROSHIMA MON AMOUR. Davide Pozzi, director of L’Immagine Ritrovata at the Cineteca, discusses the delicate restoration process with cinematographer Renato Berta, a special consultant on the project.
Professor David Bordwell traces the ways in which director Alain Resnais and screenwriter Marguerite Duras retooled cinematic language to evoke the texture of memory in their 1959 masterpiece.
The Spiderman creator recounts his friendship with the director of HIROSHIMA MON AMOUR.
