Mutations of Memory: Editing in HIROSHIMA MON AMOUR
Professor David Bordwell traces the ways in which director Alain Resnais and screenwriter Marguerite Duras retooled cinematic language to evoke the texture of memory in their 1959 masterpiece.
Professor David Bordwell traces the ways in which director Alain Resnais and screenwriter Marguerite Duras retooled cinematic language to evoke the texture of memory in their 1959 masterpiece.
