Chan Is Missing
Directed by Wayne Wang • 1982 • United States
Starring Wood Moy, Marc Hayashi, Laureen Chew
A mystery man, a murder, and a wad of missing cash—in his wryly offbeat breakthrough, Wayne Wang updates the ingredients of classic film noir for the streets of contemporary San Francisco’s Chinatown. When their business partner disappears with the money they had planned to use for a cab license, driver Jo (Wood Moy) and his nephew Steve (Marc Hayashi) scour the city’s back alleys, waterfronts, and Chinese restaurants to track him down. But what begins as a search for a missing man gradually turns into a far deeper and more elusive investigation into the complexities and contradictions of Chinese American identity. The first feature by an Asian American filmmaker to play widely and get mainstream critical appreciation, CHAN IS MISSING is a continuously fresh and surprising landmark of indie invention that playfully flips decades of cinematic stereotypes on their heads.
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Chan Is Missing
Directed by Wayne Wang • 1982 • United States
Starring Wood Moy, Marc Hayashi, Laureen ChewA mystery man, a murder, and a wad of missing cash—in his wryly offbeat breakthrough, Wayne Wang updates the ingredients of classic film noir for the streets of contemporary San Francisco’s Chinatown. Whe...
Extras
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Wayne Wang Interview
This conversation between director Wayne Wang and critic and programmer Dennis Lim was filmed in 2021.
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Wayne Wang and Hua Hsu on CHAN IS MISSING
The following conversation between director Wayne Wang and critic Hua Hsu was recorded in January 2022. In it, they discuss Wang’s path to becoming a filmmaker and the cultural context of CHAN IS MISSING.
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Wayne Wang and Ang Lee on CHAN IS MISSING
In the following conversation, recorded in January 2022, Wayne Wang and Ang Lee discuss CHAN IS MISSING, their filmmaking influences, and their experiences working in American cinema as Asian directors.
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In Chan Still Missing?
This 2005 documentary by Debbie Lum on the making of CHAN IS MISSING features interviews with actors Laureen Chew, Marc Hayashi and Wood Moy; sound recordist Curtis Choy; and film historian Stephen Gong.
