In the Service of Horror—The Lyrical Cinematography of PICNIC AT HANGING ROCK

In the Service of Horror—The Lyrical Cinematography of PICNIC AT HANGING ROCK

2 Episodes

Observations on Film Art No. 35

Though its premise is not far removed from that of a straightforward horror movie, Peter Weir’s Australian New Wave classic PICNIC AT HANGING ROCK forgoes conventional shocks in favor of an eerie, otherworldly languor that’s closer to the moody atmospherics of an art film. In this edition of Observations on Film Art, Professor Kristin Thompson illustrates how Weir uses soft-focus cinematography, slow motion, and superimpositions to cast an ethereal, enigmatic spell that has tantalized viewers for decades.

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In the Service of Horror—The Lyrical Cinematography of PICNIC AT HANGING ROCK
  • In the Service of Horror—The Lyrical Cinematography of PICNIC AT HANGING ROCK

    Episode 1

    Observations on Film Art No. 35

    Though its premise is not far removed from that of a straightforward horror movie, Peter Weir’s Australian New Wave classic PICNIC AT HANGING ROCK forgoes conventional shocks in favor of an eerie, otherworldly languor that’s closer to the moody atmospherics of an ...

  • Picnic at Hanging Rock

    Episode 2

    Directed by Peter Weir • 1975 • Australia
    Starring Rachel Roberts, Vivean Gray, Helen Morse

    This sensual and striking chronicle of a disappearance and its aftermath put director Peter Weir on the map and helped usher in a new era of Australian cinema. Based on an acclaimed 1967 novel by Joan Lin...