Criterion Collection Edition #19
In SHOCK CORRIDOR, the great American writer-director-producer Samuel Fuller masterfully charts the uneasy terrain between sanity and madness. Seeking a Pulitzer Prize, reporter Johnny Barrett (Peter Breck) has himself committed to a mental hospital to investigate a murder. As he closes in on the killer, insanity closes in on him. Constance Towers costars as Johnny’s coolheaded stripper girlfriend. With its startling commentary on racism and other hot-button issues in sixties America and its daring photography by Stanley Cortez, SHOCK CORRIDOR has had far-reaching influence.
Directed by Samuel Fuller • 1963 • United States
Starring Peter Breck, Constance Towers, Gene Evans
In SHOCK CORRIDOR, the great American writer-director-producer Samuel Fuller masterfully charts the uneasy terrain between sanity and madness. Seeking a Pulitzer Prize, reporter Johnny Barrett (Pe...
Constance Towers on SHOCK CORRIDOR
The following interview with SHOCK CORRIDOR actor Constance Towers was conducted by film historian and filmmaker Charles Dennis in 2011.
The Typewriter, the Rifle and the Movie Camera
The following documentary on director Samuel Fuller was made by Adam Simon in 1996.
The Long Take in SHOCK CORRIDOR
Observations on Film Art No. 30
Pitched at screaming, full-throttle intensity, Samuel Fuller’s SHOCK CORRIDOR plunges headlong into the delirium of a psych ward, finding in it a daring metaphor for the anxieties consuming early-sixties America, from racism and xenophobia to sexual politics and n...