Mikhail Romadin on SOLARIS
Solaris
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16m
Although SOLARIS was occasionally marketed as the Soviet 2001, director Andrei Tarkovsky actually thought of his film as 2001’s polar opposite—it emphasized humanity and morality over special effects and science fiction. For the creation of SOLARIS’s distinctive look, Tarkovsky turned to art director Mikhail Romadin, interviewed here in 2011.
Up Next in Solaris
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Eduard Artemyev on scoring SOLARIS
One of SOLARIS’s most distinctive features is its innovative combination of musical styles. Eduard Artemyev’s score contrasts Earth’s culture and family relations with the impersonal, abstract Solaris Ocean. In this 2011 piece, Artemyev discusses his working relationship with director Andrei Tark...
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Stanislaw Lem on SOLARIS
One person who decidedly did not like Andrei Tarkovsky’s film SOLARIS was Stanislaw Lem, the author of the source novel. The film explores completely different themes from Lem’s philosophically oriented science fiction. This excerpt from a Polish television documentary addresses Lem’s attempts to...
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SOLARIS Deleted Scenes
Director Andrei Tarkovsky cut SOLARIS significantly before the film went to Cannes in 1972. Long thought to be lost, the original version was, in fact, in the Russian film archive Gosfilmofond. Presented here is a sequence from the original version that differs from Tarkovsky’s final cut.