In this new program, critic Imogen Sara Smith introduces one of Japanese cinema’s classical masters—a virtuoso of melodrama who specialized in portraying the personal and social struggles of women with supreme sensitivity. In a career that spanned four decades, he directed nearly ninety films, including silent dramas like APART. FROM YOU, EVERY-NIGHT DREAMS, and STREET WITHOUT END, in which he poignantly etched the experiences of working women carrying on in the face of everyday disappointments and compromises in an often cruelly sexist society. Continuing to explore these themes throughout his career, Naruse’s artistry reached its zenith in the 1950s, when, working with renowned leads like Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara, he directed a string of devastating melodramas—including LATE CHRYSANTHEMUMS, FLOATING CLOUDS, FLOWING, and WHEN A WOMAN ASCENDS THE STAIRS—that elevated the genre to heartrending new heights, abetted by a feeling for delicate, rhythmic editing that could build with subtle but shattering emotional force.