In this 2008 video essay, writer Tag Gallagher analyzes director Max Ophuls’s use of montage to create moments of passion and desire in his films, particularly THE EARRINGS OF MADAME DE . . .
Louise Lévêque de Vilmorin was a French novelist, poet, and journalist whose most famous novel, “Madame de,” was the basis for Max Ophuls’s THE EARRINGS OF MADAME DE . . . In this interview from the November 20, 1965, episode of the French television series “Démons et merveilles du cinéma,” she s...
