The Killing of a Chinese Bookie

The Killing of a Chinese Bookie

Directed by John Cassavetes • 1976 • United States
Starring Ben Gazzara, Timothy Agoglia Carey, Seymour Cassel

John Cassavetes engages with film noir in his own inimitable style with THE KILLING OF A CHINESE BOOKIE. Ben Gazzara brilliantly portrays a gentleman’s club owner, Cosmo Vitelli, desperately committed to maintaining a facade of suave gentility despite the seediness of his environment and his own unhealthy appetites. When he runs afoul of loan sharks, Cosmo must carry out a terrible crime or lose his way of life. Mesmerizing and idiosyncratic, the film is a provocative examination of masculine identity.

The Killing of a Chinese Bookie
  • The Killing of a Chinese Bookie

    Directed by John Cassavetes • 1976 • United States
    Starring Ben Gazzara, Timothy Agoglia Carey, Seymour Cassel

    John Cassavetes engages with film noir in his own inimitable style with THE KILLING OF A CHINESE BOOKIE. Ben Gazzara brilliantly portrays a gentleman’s club owner, Cosmo Vitelli, desper...

Extras

  • THE KILLING OF A CHINESE BOOKIE Director’s Cut

    THE KILLING OF A CHINESE BOOKIE was released in 1976 after what Cassavetes described as a very rushed editing period. The film was a commercial failure and was pulled from theaters after seven days. Two years later, after the completion of OPENING NIGHT, Cassavetes re-edited the film—cutting near...

  • Bo Harwood on THE KILLING OF A CHINESE BOOKIE

    Cassavetes is remembered by one of his most frequent collaborators.

  • Ben Gazzara and Al Ruban on THE KILLING OF A CHINESE BOOKIE

    In this interview piece, actor Ben Gazzara and producer-cinematographer Al Ruban reflect on THE KILLING OF A CHINESE BOOKIE’s production and release, and director John Cassavetes’s personal connection to the story. The interviews were conducted in Los Angeles and New York in 2004.

  • Audio Interview with John Cassavetes

    This 16-minute audio excerpt is from an interview with director John Cassavetes conducted by film scholars Michel Ciment and Michael Wilson in 1978.