The Darktown Revue
Newly Added
•
18m
Directed by Oscar Micheaux • 1931 • United States
Starring Tim Moore, Andrew Trible, Amon Davis
As a filmmaker, Oscar Micheaux was something of a firebrand, but his attitudes and methods were anything but predictable—often leveling criticism at certain strata of the African American community. His most outrageous film is a traditional minstrel show—an olio of broad comedy and choral interludes. It is an acknowledgement of minstrelsy as a defining tradition of African American stage performance (see also the blackface routines in Micheaux’s TEN MINUTES TO LIVE). If nothing else, THE DARKTOWN REVUE is an invaluable historical document for recording on film the “Hard Shell Sermon” routine popularized by turn-of-the-century minstrel performer Amon Davis. But there is something else. True to form, Micheaux’s depiction of a minister is not flattering. Davis’s comic sermon of gibberish is a scathing satire of charismatic religion, made even more troubling by the fact that it is performed by a black man in blackface. By the same token, one cannot help but wonder if Micheaux was further provoking his audience by having the uplifting Donald Heywood choir open the film with a rendition of “Watermelon Time.”
Up Next in Newly Added
-
Only Angels Have Wings
Directed by Howard Hawks • 1939 • United States
Starring Cary Grant, Jean Arthur, Rita HayworthElectrified by crackling dialogue and visual craftsmanship of the great Howard Hawks, ONLY ANGELS HAVE WINGS stars Jean Arthur as a traveling entertainer who gets more than she bargained for during a ...
-
Scarface
Directed by Howard Hawks • 1932 • United States
Starring Paul Muni, Ann Dvorak, Osgood PerkinsOne of the most talked-about movies of its time, the original SCARFACE is a hard-hitting, ripped-from-the-headlines story of organized crime’s brutal control over Chicago during the Prohibition era. Pa...
-
The Exile
Directed by Oscar Micheaux • 1931 • United States
Starring Eunice Brooks, Stanley Morrell, Nora NewsomeTHE EXILE is the earliest surviving sound feature by an African American filmmaker. Director Oscar Micheaux responds to the arrival of sound with a change in his visual style, indulging in len...