This commentary, recorded for New Line Home Entertainment’s 2005 DVD release of THE KID BROTHER, features filmmaker and Harold Lloyd archivist Richard Correll, author Annette D’Agostino Lloyd, and Harold Lloyd’s grandaughter Suzanne Lloyd.

Presented here is an alternate audio track recorded in the late sixties and featuring Harold Lloyd’s preferred organist, Gaylord Carter. On it, Carter plays the Simonton Grand Wurlitzer pipe organ, owned by Hollywood entrepreneur Richard Simonton Sr., a close friend of Lloyd’s

In the following conversation, recorded in October 2018, author Cari Beauchamp and Harold Lloyd’s granddaughter Suzanne Lloyd discuss the three actresses who costarred with Lloyd in the course of his career: Bebe Daniels, Mildred Davis, and Jobyna Raiston.

The following short program, created in 2018 by critic and filmmaker David Cairns, examines Harold Lloyd’s unique approach to gags in silent comedy and THE KID BROTHER respectively.

In the following new video essay, location historian and author John Bengston discusses the Los Angeles locations used in the filming of THE KID BROTHER, employing historical research and geographic features to identify specific details.

Harold Lloyd broke ground for his elaborate Los Angeles estate, Greenacres, during the filming of THE KID BROTHER. Presented here is a 2005 featurette in which Suzanne Lloyd provides a tour of the estate.

The following interview with Harold Lloyd was broadcast on December 14, 1962, on Dutch public television. In it, Lloyd gives a tour of his estate and discusses his work and the development of his "Glasses Character."

Directed by J. Farrell MacDonald and Harold Lloyd • 1917 • United States
Starring Harold Lloyd, Bebe Daniels, Snub Pollard

Harold Lloyd’s “Glasses Character” makes his debut in a tale of baseball hijinks.

Directed by Gilbert Pratt • 1918 • United States
Starring Harold Lloyd, Snub Pollard, Bebe Daniels

A newlywed husband, en route to his honeymoon, scrambles to find the train tickets he lost.

Please be advised: this film contains scenes involving blackface.

Presented here are two rarely seen Harold Lloyd shorts: OVER THE FENCE (1917), the first "Glasses Character" film, and THAT’S HIM (1918). Lloyd lost many of his early films in a fire, and these have been restored from the best existing elements—a 9.5 mm print and a 28 mm print, respectively—and a...

Presented here are two rarely seen Harold Lloyd shorts: OVER THE FENCE (1917), the first "Glasses Character" film, and THAT’S HIM (1918). Lloyd lost many of his early films in a fire, and these have been restored from the best existing elements—a 9.5 mm print and a 28 mm print, respectively—and a...